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Image Sources:
https://www.robwalwyn.com/aerochrome
https://www.analog.cafe/r/kodak-aerochrome-a-colour-ir-film-guide-and-review-uwi3
Images by: Karim Sahai, Richard Mosse & Dmitri (Analog cafe)
CM1000
Inspired by Kodak’s Aerochrome film, this monitoring LUT is a further refined version of the Aerochrome Project, presented at the Colorist’s Meetup in L.A. 2023 (see “Look Design” section)
This new version is crafted with ARRI’s Log C4 color science, giving it more perceptual depth and cleaner color separation.
The monitoring LUT is designed for daylight conditions in nature scenes, in order to adjust the hues of captured colors to align more closely with the color aesthetic of Aerochrome film. It preserves the logarithmic curve of the camera, without altering the contrast. In addition to its use for monitoring, it serves as a foundation for further look development in post-production, allowing for diverse interpretations of the Aerochrome-inspired appearance.
This monitoring LUT is avaliable in SDR and HDR.
REC709
CM1000
CM1000 LUT technical data
CM1000 LUT applied to ARRI 35 & Sony Venice test footage with no grade adjustments
CM1000 LUT on test footage - playout
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